Archive for the ‘CFP’ Category

CFP: Console-ing Passions

December 10, 2015

CALL FOR PAPERS — DEADLINE JANUARY 30, 2016

CONSOLE-ING PASSIONS

International Conference on Television, Video, Audio, New Media, and Feminism

June 16-18, 2016
University of Notre Dame
Notre Dame, Indiana

Console-ing Passions was founded in 1989 by a group of feminist media scholars and artists looking to create a space to present work and foster scholarship on issues of television, culture, and identity, with an emphasis on gender and sexuality.  The first Console-ing Passions conference was held at the University of Iowa in 1992.  Since then, Console-ing Passions has expanded to become not only the most important conference for scholars studying gender in television but also among the top conferences for scholars of media generally.

The 2016 Conference Organizing Committee invites proposals for individual papers, pre-constituted panels, and pre-constituted forums that consider television, video, audio, or new media alongside gender, sexuality, race, or other intersected components of identity.  We also welcome proposals for video, audio, or new media creative works related to gender and other modes of identity.

Possible paper, panel, and forum topics include:

●      media production and industries

●      media audiences and fans

●      textual analysis and criticism

●      media theory

●      feminist, queer, and critical race theory

●      media history

●      neoliberalism and the economy

●      transmedia and convergence culture

●      globalism and transnational cultural flows

●      theories of post-television

●      social media and the Internet

●      music and sound studies

●      gaming and virtual worlds

●      social movements and media activism

●      politics and gender

●      religion and media

●      youth culture and media

Submission Guidelines

The deadline for submissions is 11:59 PM (US Eastern Daylight Time) on Saturday, January 30, 2016.

Please submit your proposal here:  https://console-ingpassions.submittable.com/submit

Proposers may propose only one paper or creative project, and only one CP Forum.  Attendees may present only one paper or creative project, and may participate in only one CP Forum.

Individual Papers: Individuals submitting paper proposals should provide an abstract of 250 words, a short bio, and contact information.  Co-authored papers are acceptable. 

Panels: Panel coordinators should submit a 250-word rationale for the pre-constituted panel as a whole.  Coordinators should submit a 250-word abstract, a short bio, and contact information for each panel participant. Panels should include 3-4 papers.  Co-authored papers are acceptable.  Panels that include a diversity of panelist affiliations and experience levels are strongly encouraged. 

CP Forums: Building upon the success of discussion-based roundtables at Flow and other conferences, we invite proposals for a limited number of pre-constituted roundtables that focus either on scholarly topics in the field or matters of professional interest.  We are especially interested in roundtables that are likely to engage wide participation by conference attendees, and which reflect our field’s diversity of cultural identities, institutions, methodologies, and professional rank or employment status.  Proposals should be submitted by a convener, who will propose a question (<100 words) and solicit brief (<250 words) responses from 5-7 respondents.  Proposals should also include a brief bio and contact information for the convener and each participant.  If the proposal is accepted, each participant will write a response to the question of no more than 600 words, which must be submitted to the conference organizers 2 weeks prior to the conference.  Those papers will be circulated to all attendees and will form the basis of a public discussion during the CP Forum sessions. Roundtable participants’ remarks at the conference should be brief in order to create substantive discussion with attendees.

Creative Works: We invite proposals for video, audio, or new media screenings or exhibits.  Proposals should consist of a 350-word abstract (including the length and format of the work), a short bio of the producer/director, and contact information.  If the work is viewable online, please submit a URL.

Please direct any questions about the conference and the submission process to:cpatnd2016@gmail.com.

Visit our website http://www.console-ingpassions.org/conf-nd/ for updates about events, schedules, travel information, and more.

Conference Organizers: Christine Becker, Michael Kackman, Mary Celeste Kearney, Susan Ohmer, and Pamela Robertson Wojcik / Department of Film, Television, & Theatre / University of Notre Dame.

The Fan Studies Network Conference 2016

December 9, 2015

THE FAN STUDIES NETWORK CONFERENCE 2016

25-26th June 2016
University of East Anglia, Norwich, UK

FSN2016

Keynote Speaker:
Professor Henry Jenkins (University of Southern California, USA).

The fourth annual Fan Studies Network Conference is returning to the University of East Anglia for a two-day programme in June 2016. The conference will continue FSN’s proud tradition of offering an enthusiastic space for interdisciplinary researchers at all levels to connect, share resources, and further develop their research ideas. In addition to panel presentations, the two days will feature social events, speed geeking, and workshop discussions.

We are delighted to welcome Professor Henry Jenkins as the keynote speaker for FSN2016. Jenkins’ work has proved extremely influential in the field: He is the author/editor of thirteen books on various aspects of media and popular culture, including Convergence Culture: Where Old and New Media Collide; Fans, Bloggers and Gamers: Exploring Participatory Culture, and one of the key texts of the first wave of fan studies, Textual Poachers: Television Fans and Participatory Culture.

Registration is open here:
http://store.uea.ac.uk/browse/extra_info.asp?compid=1&modid=2&deptid=9&catid=4&prodid=41

And the conference programme can be found here:

FSN 2016 draft Programme v2

Please send any enquires about the conference to: fsnconference@gmail.com

You can join the discussion about the event on Twitter using #FSN2016, or visit http://www.fanstudies.org.

CFP: A Celebration of Star Trek, DePaul University, Chicago, USA, 7 May 2016

December 8, 2015

Now accepting submissions and ideas for the fourth annual Pop Culture Colloquium at DePaul University in Chicago!

The Media and Cinema Studies program, along with the College of Computing and Digital Media, the English Department, and the Department of American Studies at DePaul University is hosting a one-day celebratory colloquium in honor the fiftieth anniversary of Star Trek on Saturday, May 07, from 9am-6pm. This event will feature roundtable discussions from scholars and fans of Star Trek, speaking about the cultural impact of the show, as well as analyzing aspects of the episodes. The even will also feature keynote speaker Brannon Braga (executive producer, writer, and director of multiple episodes and films), screenings, screenwriting workshops, a costume contest, and more.

The audience for this event is both graduate and undergraduate students, both fans and scholars, and the focus should be on informed and enlightening discussion rather than formal academic papers. “A Celebration of Star Trek” will take place on DePaul’s Loop campus.

If you’re interested in speaking on a round table, please send a 200 word abstract of your topic and a CV or resume to Paul Booth (pbooth@depaul.edu) by Mar 01. Please aim your abstracts for a more general audience and for a discussion rather than a paper presentation. For more information, please check out the website http://www.mcsdepaul.com/a-celebration-of-star-trek.html and sign up for updates on Facebook (search “A Celebration of Star Trek”). We hope that you will be able to join in the discussion and celebration!

A Celebration of Star Trek (DePaul University, 07 May)

Call for Expressions of Interest: Musical Fan Communities: Connected Across Borders

November 18, 2015

Musical Fan Communities: Connected Across Borders

Call for Expressions of Interest

Principal investigator: Dr. Laura MacDonald (University of Portsmouth)

Co-investigator: Dr. Jonathan Evans (University of Portsmouth)

After a successful research day in May 2015 and a presentation at the Fan Studies Network conference in June 2015, we are now preparing a bid for the AHRC Research Networking Scheme. This funding would support research events in the UK and abroad, and lead to a special issue of a peer-reviewed journal. In order to submit as compelling a bid as possible, we would like to confirm the ongoing interest of our initial participants and recruit additional participants. With this in mind, we are soliciting expressions of interest, outlining projects and areas of interest that would benefit from development in an international, interdisciplinary network.

Our ongoing research investigates how film and theatrical musicals are received and remediated by fans in other cultures where other languages are spoken. Our wider questions include: How do fans of musicals deal with language difference? What sort of fan organised activity is there in relation to musicals? Our focus, therefore, is on how fans translate, literally and metaphorically, foreign musicals for themselves and their peers: both in the form of lyric translation and subtitling, but also in the form of reviews and commentary. Through an analysis of evidence of fan activities such as subtitling, YouTube performances and comments, amateur performances, fans’ international travel to sites of musical theatre performance, and online forum discussions, we will argue that the communal activity of theatre going serves as a basis for a gift culture that focuses on sharing and giving others access to foreign texts. Drawing on close readings of these materials and theories of audiovisual translation, consumption and fandom, we will suggest fan practices play a significant role in the musical’s success as a global genre and in creating communal, non-national spaces based around shared affective experience.

Network participants will be working in musical theatre, theatre, film, media, European, Asian, and/or American studies. They may also be engaged in digital humanities projects, or employed in industries relevant to this research. The fans, the stakeholders in this network’s investigations, will also be involved in research events.

Interested participants are ask to respond by 30 November 2015 to both Laura MacDonald (laura.macdonald@port.ac.uk) and Jonathan Evans (jonathan.evans@port.ac.uk) with an abstract or outline of no more than 250 words indicating a project or area of research that would benefit from development through this network, keeping in mind the focus on fan practices in response to stage and screen musicals in languages and cultures other than those of the musical’s origins.

Call for Papers: Sex and Sexualities in Popular Culture: Feminist Perspectives, Networking Knowledge, the journal of the MeCCSA-PGN

November 16, 2015

Call for Papers: Sex and Sexualities in Popular Culture: Feminist Perspectives

A special-themed issue of Networking Knowledge, the journal of the MeCCSA-PGN

Edited by Milena Popova and Bethan Jones

Deadline for abstracts: 30th December 2015

Popular culture, as can be seen through the GamerGate controversy for one example, has a profound impact on feminist issues and discourses. Representations of sex and sexualities influence public opinion and individual attitudes and perceptions. Discussions – in both media and academia – are continuing to take place about the impact of Fifty Shades, sexism and misogyny in computer game and comic book fandom, the sexualisation of girls and the sexual desires of both young and adult women. Moral panics abound surrounding Fifty Shades and the “irrational” behaviour of One Direction fans, while LGBTQIA+ identities and sexualities are often represented tokenistically at best. Creative practitioners can easily come under fire for poor representations of sex and sexualities, as evidenced most recently by the reception of Joss Whedon’s treatment of Black Widow in The Avengers: Age of Ultron; equally they can be celebrated for their efforts, as was the case with Bioware’s inclusion of a consent negotiation scene in Dragon Age: Inquisition.

Following a successful one-day symposium on this theme in November 2015, we invite proposals for a special issue of Networking Knowledge – the Journal of the MeCCSA PGN. As with the symposium, we wish to open up debates and explore the nuances of sex and sexualities within popular culture. To that end, possible topics include but are not limited to:

• Representations of women’s desire and sexualities in popular culture

•Non-cis- and heteronormative sexualities in popular culture, especially beyond “gay and lesbian”

•Representations of sex work

•Infertility and sexual dysfunction

•Sexual intersections: race, disability, religion, class and socioeconomic status, gender

•Sex and sexualities in gaming

•Sexual pleasure in popular culture

•Invisibility: (a)sexualities unrepresented

•Sex, sexualities and social media

•Sex and sexualities in fan and transformative works

Please send 300 word abstracts for papers of 5,000 to 6,000 words, along with a short author biography, by 30th December 2015. Please email these to guest editors milena2.popova@live.uwe.ac.uk and bethanvjones@hotmail.com. If you have questions about Networking Knowledge in general, please contact the Journal Editor, Simon Dawes at simondawes0@gmail.com. Final, selected, articles will be due by the end of March 2016.

CFP: Centre for Media and Celebrity Studies Bridging Gaps Conference

November 8, 2015

This updated version has corrected dates.

CALL FOR PAPERS

Bridging Gaps: What are the media, publicists, and celebrities selling?

Red Room, Four Points by Sheraton Barcelona Diagonal

Barcelona, Spain

July 3rd – 5th, 2016

Public personalities hold the power to draw attention to products, services, and charities through their endorsement. Celebrity activists, for example, can help to change the world. From Elizabeth Taylor to George Clooney, celebrities have proven that their status can help raise awareness and funds for issues such as aids, poverty and global warming. However, many activists have also gained fame by standing up for their beliefs such as Harvey Milk, Dian Fossey, Malala Yousafzai, and Rosa Parks, thereby bridging gaps between celebrity activists and activists as celebrities. Thanks to social media, people today have a platform to share their views and gain a following, meaning activism is now in the power of the people. They can bring communities together from around the world to make a difference.

We invite you to send in abstracts about media control, activism, and celebrity status to interrogate, draw attention to the good that is being done, and suggest ways we can improve the world. What actions need to be taken and how can celebrity status help achieve this? How much power does a celebrity really have? Can someone create celebrity status through their activism? What role does public relations and the media play in promoting messages from beauty ideals to saving the planet?

The Centre for Media and Celebrity Studies (CMCS) Bridging Gapsconference series aims to connect scholars with industry professionals and generate a discussion and practice that will inspire change. CMCS in association with sponsors Centre for Ecological, Social, and Informatics Cognitive Research (ESI.CORE) and WaterHill Publishing, invite academics, filmmakers, journalists, publicists, advertisers, charity organizers, and guests to attend, speak and collaborate at the international conference. Attendees may present papers, take part in a workshop or create a roundtable discussion on the theme of celebrity activism, media ethics and endorsements.

Extended versions of selected papers will be published in an edited book by WaterHill Publishing, while others will be invited for the opportunity to publish work in the CrossBridge Journal.

We also invite people to send in videos for the Celebrity Chat Award. The best video/documentary will be selected based on its ability to draw attention to a significant matter, be relevant to the conference theme and inspire change.

Registration includes: Your printed conference package, catered lunch, coffee / tea breaks, evening drinks, professional development workshop, access to evening receptions, eligibility to publish in edited book, and consideration for the $100 best paper and screen awards.

Submission guidelines:

250-word abstract or workshop / roundtable proposalInclude a title, your name, e-mail address, and affiliation if applicable. Submit to conference Chairs Dr Jackie Raphael and Dr Celia Lam at email address: celeb.studies@gmail.com
Deadline for abstract submission: December 20, 2015
Notification of acceptance: January 20, 2016
Full text due: June 4, 2016
Pre-Conference Reception: July 3, 2016
Conference presentation: July 4-5, 2016
Publication of edited book:Approximately November 30, 2016

Celebrity Chat Video Submissions:

Video length should be 10-20 minutes. Include a title, your name, e-mail address, and affiliation if applicable. Submit to conference Chairs Dr Jackie Raphael and Dr Celia Lam at email address: celeb.studies@gmail.com
Deadline for submission: December 20, 2015
Notification of acceptance: January 20, 2016
Conference screening: July 4-5, 2016

Topics include but are not limited to:

Mass media and social media
Public relations and publicity
Social Advocacy
Human rights and animal rights
Environmental sustainability
Celebrity activists 
Activists as celebrities
Endorsements
Advertising
Branding
Persona
Journalism and newsworthy topics
Fame and Fortune
Beauty Ideals
Interviews
Audiences
Fandom
Literature
Film and Video
Television
Photography
Laws and Policies
Theory and Methods
Research Agenda
Business Models
Ethics and Morality
Cognition and Memory
Media Literacy
Social Innovation and Change
Education and Advocacy
Community Building
Business and Community Partnerships

Conference Chairs: Dr Jackie Raphael and Dr Celia Lam

Conference Committee Members: Dr Samita Nandy, Dr Louis Massey, Josh Nathan, and Andrea Marshall

Conference URL http://cmc-centre.com/conferences/barcelona/

CFP: 3rd International Celebrity Studies Conference: Authenticating Celebrity

October 19, 2015

3rd International Celebrity Studies Conference: Authenticating Celebrity

June 28-30, 2016
University of Amsterdam, Amsterdam
http://celebritystudiesconference.com/

Routledge, Celebrity Studies Journal, and the University of Amsterdam are pleased to announce the third Celebrity Studies conference. The conference will take place in Amsterdam, June 28th-30th, and will be organized by Gaston Franssen, James Bennett, Hannah Hamad, Su Holmes, and Sean Redmond.

The 3rd International Celebrity Studies Conference will be themed on the question of ‘Authenticating Celebrity’. This subject will run through our plenaries and form a strand running throughout the conference. 

Drawing on the strength of the CSJ editorial team, the conference welcomes submissions from a broad range of disciplines that generate new ways of thinking and understanding celebrity: from film, television, literary, digital media and theatre studies through to psychology, sociology, politics, and business studies.

We invite abstracts for individual 20-minute papers or pre-constituted panels of 3 x 20-minute papers on any topic related to the conference theme.

Confirmed Keynote Speakers:
• David Giles, University of Winchester
• Joke Hermes, University of Amsterdam/Inholland University of Applied Sciences
• Jo Littler, City University London
• Alice E. Marwick, Fordham University
• Ginette Vincendeau, King’s College London

A Special Issue of the best papers from the conference will be published inCelebrity Studies in 2017. Stipends to help with conference costs will be awarded for the best PhD abstracts submitted.

Possible topics include, but are not limited to:
• Celebrity and the experience of authenticity
• Sincerity and stardom
• Committed celebrity
• The phenomenology of fame
• Authenticating celebrity and gender, race, class, ethnicity
• Reality-tv celebrity
• Audience and affect
• Representations of talent and genius
• Fame in virtual reality
• Socializing celebrity
• Online authenticity
• Disingenuous and/or exposed celebrity
• True fans/anti-fans
• Trusting celebrity
• Gossip culture
• Celebrity hoaxes
• Celebrity facts, celebrity fictions
• Sport stars, performance and authenticity
• (In)sincerity and political celebrity
• Memory and celebrity authenticity.
• The will to truth: stories of the celebrity self
• Auto-ethnography and reflections of the real
• Fandom and the search for celebrity authenticity
• Celebrity pilgrimages
• Illness and celebrity
• Marketing authenticity
• Celebrity do-gooders and ambassadors
• Documenting the celebrity
• Rock idols and rebellion

Deadline for abstracts: November 6th, 2015 (250 words, plus a 50 word biography)

Successful abstracts will be notified by: December 11th, 2015

Enquiries/abstracts to: celebritystudies@gmail.com

CFP: Revisiting Audiences: Reception, Identity, Technology

October 12, 2015

Revisiting Audiences: Reception, Identity, Technology

9th – 10th, June 2016

Second MFCO Early Career-Graduate Conference hosted by the Department of Media, Film and Communication, University of Otago, New Zealand

Featuring: Associate Professor Sean Redmond (Deakin University, Australia) & Associate Professor Catherine Fowler (University of Otago, New Zealand)

Conference conveners: Owain Gwynne and Kevin Fletcher

We are surrounded by media texts – films, television shows, songs, comics, videogames to name but a few. With the growing range of technologies at our disposal, our relationships with media texts and practices are continually evolving, opening up new avenues for inquiry into audiences and reception research. What do these texts mean to us? How do they shape our lives and experiences? Rather than merely receive the texts they encounter, audiencesexperience texts, not as commodities, but as instances of intense emotional or affective engagement. Texts shape our understanding of the world and the ways we experience it – they make us laugh, cry, think and dream. They delight and infuriate. They have the power to help us create realities, to relive the past, or to stir us to action and activism. Our everyday interactions with media take many forms and range from identity performance on social media, to nostalgic attachments, and to fandoms. This conference is interested in new ways of making sense of these special relationships between texts and audiences, taking into account how such textual interactions are situated culturally, transnationally and historically.

This interdisciplinary conference invites papers to address the ways in which audiences receive, create, engage withand experience texts. Papers that address (but are not limited to) new approaches to the following topics / questions are welcome:

·  Youth audiences – How might younger audiences engage with texts in different ways than older audiences? Does new media affect generational engagement?

·  Fandom – What does it mean to be a ‘fan’ of something? How are different fandoms enacted / performed, including in an academic context? What is the distinction between research and fandom?

·  Celebrity culture – How does contemporary celebrity culture inform industrial shifts in media production and consumption? What are the racialised and geographical dimensions of celebrity and star production?

·  Paratexts – How do people take up paratexts (e.g., trailers, prequels, conventions)? How do paratexts construct frameworks of expectations or redefine the meanings of the primary text?

·  Relocating moving images – How are accepted models of viewing and reception changed by the ‘relocation’ of cinema in art galleries, museums, public and private spaces?

·  Audience research and methodologies – What new research and technological developments are being employed in the study of audiences? How do new technologies such as eye tracking, virtual and augmented reality contribute to reception studies?

·  Affective audiences – How do debates about embodiment and cognition offer new ways of understanding viewer engagement with texts in both domestic and theatrical contexts? How does phenomenological research intersect with moving-image culture?

·  Audiences and intellectual property – What is the audience’s role in contributing marketing labour to media companies in the contemporary global copyright regime? How do fan-activists use copyrighted texts to promote counter-hegemonic interests?

·  Audiences and space – What is the role of space in fandom, cinephilia and telephilia? How do diasporic people engage with texts from the ‘homeland’?

·  Old versus new media in audience studies – How does the focus on new media displace the continuing importance of old media for audiences? Does engaging with ‘old’ media through new media platforms complicate that engagement, and if so how? What do ‘new’ media forms reveal about ‘older’ audience practices?

The conference is free for accepted presenters and open to interested attendees. There will also be a masterclass led by Associate Professor Sean Redmond on June 8, and a workshop on audience study methodologies by Dr. Rosemary Overell. The masterclass and workshop are also free but are open to a limited number of participants. For more information on the masterclass and the workshop, and how to register, please contact the conference conveners below.

Presenters at Revisiting Audiences will be offered the opportunity for a refereed publication in Working Paper Series in the Department of Media, Film and Communication’s flagship journal (http://www.otago.ac.nz/mfco/research/otago040229.html)

Please contact the conference conveners with any enquiries and / or expressions of interest. Abstracts of about 200 words with an accompanying bio of no more than 50 words should be submitted as an email attachment in Microsoft Word to the conference email address: mfco_ecg@otago.ac.nz by April 15, 2016. A response to all submissions will be sent by May 1, 2016

Seminar | Participating in Fiction: Why We Speak Klingon, Play Quidditch, and Shop at Kwik-E-Mart: ACLA 2016 | Harvard University, Cambridge, MA

September 21, 2015

Seminar | Participating in Fiction: Why We Speak Klingon, Play Quidditch, and Shop at Kwik-E-Mart
http://www.acla.org/node/5354

This panel focuses on the intersection of fictionality and participatory culture. Specifically, we will explore the impact of public participation on the reception and ontological status of fictional entities.
As readers and text consumers, we have a propensity to actualize fiction. That is, we regularly interact with originally fictional entities in ways that effectively bring them across the ontological border, rendering them actual. Examples are myriad and multimedial: consider Quidditch (no longer a fictional sport, as it is played on scores of university campuses), Klingon (no longer a fictional language now that it is spoken by non-fictional people), and Buzz Cola (available for purchase outside of The Simpsons’ Springfield). It is becoming increasingly important to foreground the connection between the public and the humanities, and vital to this is a study of how participation and narrative are mutually influential. This session welcomes papers that address the role of participatory culture in the phenomenon of actualized fiction, and situate the reader’s propensity within existing scholarship on fictionality, popular culture, and media studies.
Paper topics could include but are not limited to the following:

 Narratives that come to life in theme parks; theme parks as adaptations
 The use of originally fictional products in marketing stories and franchises (Buzz Cola; Wonka
bars; Spın̈al Tap albums; Radioactive Man comics)
 The proliferation of communication, courses, and books in originally fictional languages
(Klingon; Sindarin; Quenya; Na’vi; Dothraki)
 The International Quidditch Association
 Google Maps’ inclusion of fictional locales such as the TARDIS and Diagon Alley
 Subway maps of fictional locales such as Westeros and Wonderland

Organizer: Rhona Trauvitch, Florida International University

http://www.acla.org/node/5354.
Potential presenters should submit proposals by midnight PST, September 23.

CFP: Stardom and Fandom, SW PCA/ACA (11/1/15; 2/10-13/16)

September 21, 2015

CFP: Stardom and Fandom, SW PCA/ACA (11/1/15; 2/10-13/16)

Join us for the 37th Annual Southwest Popular Culture and American Culture Association Conference, February 10 – 13, 2016 at the beautiful Hyatt Regency in Albuquerque, New Mexico. The Area Chair for Stardom and Fandom invites paper or panel proposals on any aspect of stardom or fandom.

Proposal submission deadline: November 1, 2015.

The list of ideas below is limited, so if you have an idea that is not listed, please suggest the new topic. We are an interdisciplinary area and encourage submissions from multiple perspectives and disciplines. Topics might include:

Studies of individual celebrities and their fans
Studies focused on specific fandoms
The reciprocal relationship between stars and fans
Impact of celebrity and fame on identity construction, reconstruction and sense of self
Reality television and the changing definition of ‘stardom’
The impact of social media on celebrity/fan interaction
Celebrity/fame addiction as cultural change
The intersection of stars and fans in virtual and physical spaces (Twitter, Tumblr, conventions)
Celebrity and the construction of persona
Pedagogical approaches to teaching stardom and fandom
Anti-fans and ‘haters’
Fan shame, wank, and fandom policing
Gendered constructions of stars and fans
Historical studies of fandom and fan/celebrity interaction

Submit 250 word paper proposals, or proposals for multi-paper panels, to: http://conference2016.southwestpca.org Choose the area “Stardom and Fandom” and input your information as directed. Deadline for proposal submissions: November 1, 2015. Earlier proposals are welcomed!

Please remember that there are monetary awards for the best graduate student papers – we encourage you to apply! Papers in the Stardom and Fandom area could qualify for several awards, including the Diana Cox Award for best paper on images of women in popular culture, Euro Pop Award for best presentation on European popular culture, Peter C. Rollins Award for best paper dealing with a popular culture issue, Richard Tuerk Science Fiction and Fantasy Award for outstanding essay related to science fiction and fantasy, and the Post Script Award in film studies. You can see the full list at: http://southwestpca.org/conference/graduate-student-awards/

Conference hotel:

Hyatt Regency Albuquerque
330 Tijeras
Albuquerque, NM 87102
Phone: 1.505.842.1234
Fax: 1.505.766.6710

Register early for discounted conference registration and hotel rates, and to reserve space at the conference hotel as discounted rooms fill quickly. For more details on the conference, please visit the Southwest Popular Culture/American Culture Association: http://www.southwestpca.org.

Direct questions to:
Dr. Lynn Zubernis
Area Chair, Stardom and Fandom
lzubernis@wcupa.edu


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